Between algorithm and sensitivity
mapping of scientific production on digital technologies in artistic and cultural accessibility for deaf people (2014-2024)
DOI:
https://doi.org/10.48075/rt.v20i2.37007Keywords:
cultural accessibility, digital technologies, deaf people, deaf aestheticsAbstract
Objective: to map the scientific production on the use of digital technologies in promoting artistic and cultural accessibility for deaf people between 2014 and 2024. Methodology: systematic literature review according to PRISMA 2020 protocol, with searches in Scopus, Web of Science, ERIC and SciELO, covering 847 initial records. Results: the final corpus comprised 24 studies, concentrated temporally between 2020-2024 and geographically in the northern hemisphere. Three thematic axes were identified: linguistic mediation technologies, immersive environments and normative frameworks. Analysis revealed the predominance of the access paradigm over the paradigms of participation and inclusion, with the persistence of the medical model of deafness in a significant portion of the studies. Conclusions: although digital technologies offer concrete possibilities to expand cultural accessibility for deaf people, most solutions operate as translations of hearing content, not as inclusive aesthetic creation. The field demands a paradigmatic shift that places deaf aesthetics as a generative reference, not as a recipient of adaptations. Future research should involve co-design with the deaf community, explore accessibility in sign languages of the Global South, and consider intersectionality.
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