Cyborgs in the network
algorithmic power, activism, and digital literacy
DOI:
https://doi.org/10.48075/x1rwwg98Keywords:
digital humanities, cyborg, activism, posthumanismAbstract
Drawing on a broad conception of the cyborg that points to the omnipresence of the Internet in human ways of life, this article initially explores some of the consequences of the hybridisation of bios and techné for notions of subjectivity and identity. Adopting an essayistic and critical-interpretive approach, it brings together theoretical contributions from media studies, the Digital Humanities, and posthumanist thought with a discussion of representative cases that illustrate the issues under analysis. After problematising the contemporary figure of the cyborg, the article argues that the organisation of the digital world is not devoid of particular ways of seeing and making visible, an issue encapsulated by the notion of algorithmic bias and explored through examples of algorithmic bias and censorship. The analysis of these cases provides a basis for discussing forms of digital and artistic activism that use the platforms themselves as sites of resistance, while also highlighting the reconfiguration of power relations associated with the control, processing, and circulation of information. Finally, the article argues for the need for digital literacy that goes beyond the acquisition of merely technical skills, emphasising the relevance of the Digital Humanities in fostering critical users capable of understanding and questioning the political, social, and cultural dimensions of digital spaces.
Downloads
References
BAUMAN, Z. Times of interregnum. Ethics & Global Politics, v. 5, n. 1, p. 49-56, 2012. Disponível em: http://81.47.175.201/flagship/attachments/bauman.pdf. Acesso em: 20 jun. 2026.
BODE, K. Why can’t model away bias. Modern Language Quarterly, v. 81, n. 1, p. 95-124, 2020.
CAYLEY, J. The advent of aurature and the end of (electronic) literature. In: TABBI, J. (ed.). The Bloomsbury handbook of electronic literature. London: Bloomsbury Academic, 2017. p. 73-92. Disponível em: http://dx.doi.org/10.5040/9781474230285.ch-004. Acesso em: 26 ago. 2021.
CAVALLARO, D. The brain in a vat in cyberpunk: the persistence of the flesh. Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, v. 35, n. 2, p. 287-305, 2004. Disponível em: https://www.sciencedirect.com/science/article/abs/pii/S1369848604000226. Acesso em: 20 jun. 2026.
FERRARIS, M. T’es où? Ontologie du téléphone mobile. Paris: Albin Michel, 2006.
GARCIA, D.; LOVINK, G. The ABC of tactical media. 1997. Disponível em: http://dpya.org/wiki/images/0/0c/-nettime-_The_ABC_of_Tactical_Media.pdf. Acesso em: 20 jun. 2026.
GOICOECHEA, M. The posthuman ethos in cyberpunk science fiction. CLCWeb: Comparative Literature and Culture, v. 10, n. 4, 2008. Disponível em: https://doi.org/10.7771/1481-4374.1398. Acesso em: 20 jun. 2026.
HARAWAY, Donna J. (2022). Um Manifesto Ciborgue; O Manifesto das Espécies de Companhia. (Ana Maria Chaves, Trad.). Lisboa: Orfeu Negro.
JOYCE, M. (ed.). Digital activism decoded: the new mechanics of change. New York; Amsterdam: International Debate Education Association, 2010.
LATOUR, B. Jamais fomos modernos: ensaio de antropologia simétrica. Tradução de Carlos Irineu da Costa. São Paulo: Editora 34, 1994.
WARK, M. A hacker manifesto. Cambridge, MA: Harvard University Press, 2004.
WARK, M. Capital is dead: is this something worse? London; Brooklyn: Verso, 2019.
SIMANOWSKI, R. (ed.). Digital humanities and digital media: conversations on politics, culture, aesthetics and literacy. London: Open Humanities Press, 2016. DOI: 10.26530/oapen_612791.
SINATRA, M. E.; VITALI-ROSATI, M. Les pratiques de l’édition numérique. Montréal: Les Presses de l’Université de Montréal, 2014.
TOMASULA, S. Our tools make us (and our literature) post. In: TABBI, J. (ed.). The Bloomsbury handbook of electronic literature. London: Bloomsbury Academic, 2017. p. 39-58. Disponível em: http://dx.doi.org/10.5040/9781474230285.ch-002. Acesso em: 26 ago. 2021.
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Mafalda Lalanda

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Creative Copyright Notice
Policy for Free Access Journals
Authors who publish in this journal agree to the following terms:
1. Authors keep the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License, which allows sharing the trial with acknowledgment of authorship and initial publication in this journal.
2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the work version, published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase both impact and citation of the published trial (See The Effect of Free Access).
Creative Commons License
This work is licensed under a Creative Commons Attribution–NonCommercial-shareaswell 4.0 International License, which allows you to share, copy, distribute, display, reproduce, completely or part of the work, since there is no commercial purpose, and authors and source are cited.