DA AMIZADE OU A LITERATURA COMO ÉTICA

Abstract

ABSTRACT: This article is the translation of a thought that will be said open. That is to say, it is a conversation with the autofiction of the writer Thomas Bernhard Wittgenstein's Nephew and his performative gestures that operate in and by the friendship like a concept that, above all, reveals itself through a politically ethical and ethically political discourse. When we propose this autofiction as performance we are withdrawing the representation as presence so instead we fill up with exaggerations and performance scenarios the presentations in this ball of masks and true lies. No, this is lightness, not an author[ity], but an actor named Thomas Bernhard. But not only. The representation is here in crisis because it was also clear the impossibility of political representation.