A proposal for a literary workshop with hybrid narratives of history and fiction
remeaning Quilombola’s identities
DOI:
https://doi.org/10.48075/rt.v18i2.33354Keywords:
Hybrid Narrative of History and Young Adult Fiction, Thematic Literary Workshop, Decoloniality, The Decolonial Literary Reader’s formationAbstract
This article, an excerpt from a thesis in progress, aims to present a proposal for transdisciplinary reading practice in the form of a Thematic Literary Workshop with hybrid narratives of History and contemporary youth fiction written in a critical and decolonizing nature, which present History from the “view from below” (Sharpe 1992), focusing on those people made invisible or excluded from traditional records. This reading practice can contribute to literary literacy by highlighting how Literature and the teaching of History can dialogue in the school space, including with other areas and arts, thus enabling the students to understand that Literature and History are interconnected products. They are originated from the discursive and ideological manipulation of language, both narrative processes that materialize themselves, among other forms, in a text. To this end, we support our didactic proposition in the studies of Zucki (2015) and Fleck (2017;2023) regarding the use of hybrid narratives of History and fiction in the formation of a decolonial literary reader, in line with decolonial studies (Mignolo, 2017), also in the studies of reception aesthetics, Jauss (1994) and Iser (1979), as well as in comparative literature applied to Basic Education according to the assumptions of Mendonza Fillola (1994). The results demonstrate that adopting readings that can give new meanings to some historical events helps readers who are still in training to construct less colonized views of their present.
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