Patriarchalism in “Gabriela, cravo e canela”: the shattering of the radical ideological ritual

Authors

  • Ana Patrícia Cavalcanti Queiroz
Supporting Agencies

Keywords:

Society, patriarchalism, sexism, woman, desidentification.

Abstract

This article aims to profile Malvina, Gabriela and Nacib from Gabriela, cravo e canela by Jorge Amado as subversive by means of observing how these three characters broke with the sexist discourse affiliated to the patriarchal ideology which was circulated and, consequently, preserved in the social-historic conjecture they lived in. Besides, we intend to relate these characters` subversity to the desidentification process approached by Pêcheux (1995). By means of Discourse Analysis (hereafter DA) concepts, we will evince not only Malvina, Gabriela and Nacib`s desidentification but also the one of the Ilheenses citizens(-subjects). In order to lay the foundation on literature, society and patriarchalism, we will mainly use Freyre (2003) and Candido (1951; 1999; 2006a; 2006b); for the DA, we will mention Pêcheux (1995), Althusser (1976), among others.

Downloads

Download data is not yet available.

References

AMADO, Jorge. Gabriela, cravo e canela: crônica de uma cidade do interior. 2.ed. São Paulo: Companhia das Letras, 2012.

ALTHUSSER, Louis. Ideologia e Aparelhos ideológicos de Estado. Paris: Editions Sociales, 1976. In: ŽIŽEK, Slavoj. Um mapa da ideologia. Tradução de Vera Ribeiro. Rio de Janeiro: Contraponto, 1996.

BELLINE, Ana Helena Cizotto. Representações do feminino. In: GOLDSTEIN, Norma Seltzer. A literatura de Jorge Amado: Orientações para o trabalho em sala de aula. 1 ed. São Paulo: Companhia das Letras, 2008, p. 26-35. Disponível em: <http://www.companhiadasletras.com.br/sala_professor/pdfs/CadernoLeiturasAliteraturadeJorgeAmado.pdf>. Acesso em: 26 out 2014.

CANDIDO, Antonio. The Brazilian Family. In: Smith, T. L. e Marchant, A. (Eds), Brazil, portrait of a continent. N. Y.: The Dryden Press, 1951. Não paginado.

______. Iniciação à Literatura Brasileira: resumo para principiantes. São Paulo: Humanitas Publicações, 1999.

______. Literatura e Sociedade. 9. ed. Rio de Janeiro: Ouro sobre Azul, 2006a.

______. Literatura de dois gumes. A Educação Pela Noite. Rio de Janeiro: Ouro Sobre Azul, 2006b.

FREYRE, Gilberto. Casa-grande & senzala: formação da família brasileira sob o regime da economia patriarcal. 48 ed. São Paulo: Global, 2003.

GOLDSTEIN, Ilana Seltzer. O Brasil best seller de Jorge Amado: literatura e identidade nacional. São Paulo: SENAC, 2003.

GRIGOLETTO, Evandra. A noção de Sujeito em Pêcheux: uma Reflexão acerca do Movimento de desidentificação. Vitória da Conquista: no 1, p. 61-67, junho, 2005.

PÊCHEUX, Michel. Semântica e discurso: uma crítica à afirmação do óbvio. Tradução Eni P. Orlandi [et al.]. 2.ed. Campinas, SP: Editora UNICAMP, 1995.

SOUZA, Sérgio Augusto Freire de. Conhecendo Análise de Discurso: Línguagem, Sociedade e Ideologia. Manaus: Editora Valer, 2006.

ZANDWAIS, Ana. A forma-sujeito do discurso e suas modalidades de subjetivação: um contraponto entre saberes e práticas. In: Actas do I SEAD, Porto Alegre, 2003 (no prelo).

Downloads

Published

15-07-2016

How to Cite

QUEIROZ, A. P. C. Patriarchalism in “Gabriela, cravo e canela”: the shattering of the radical ideological ritual. Travessias, Cascavel, v. 10, n. 2, p. e12688, 2016. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/12688. Acesso em: 17 jul. 2024.

Issue

Vol. 10 No. 2 (2016)

Section

LITERÁRIA

License

Creative Copyright Notice

Policy for Free Access Journals

Authors who publish in this journal agree to the following terms:

1. Authors keep the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the  Creative Commons Attribution License, which allows sharing the trial with acknowledgment of authorship and initial publication in this journal.

2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the work version, published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.

3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase both impact and citation of the published trial (See The Effect of Free Access).

 

 

Creative Commons License

This work is licensed under a Creative Commons Attribution–NonCommercial-shareaswell 4.0 International License, which allows you to share, copy, distribute, display, reproduce, completely or part of the work, since there is no commercial purpose, and authors and source are cited.