ANALYSIS OF MELISSA PARANELO WORK: THE QUESTION OF TALK ABOUT HIMSELF AND EMERGENCY OF SUBJECT IN PRODUCTION OF SUBJECTIVITIES

Abstract

This pape discusses the analysis of the work 100 escovadas antes de ir para a cama, from the italian author Melissa Panarello. At first, a literary analysis is made with authors – as Cândido (1980) and the aesthetic function, Gardner and the clash between the fiction and the verisimilititude confronting the pontential (1997), Lodge (2009) and the narrator as subject of its own history, Lukács (2000) and the modern literature with new subjects emerging as Romanesque heroes, Reis e Lopes (1988) about the self-diegetic as narrative – whose concepts are used in the course of the research, with the goal to understand the emergency of the subject of the research. Other issues as talk about itself and the subjectivity productions are developed in the text, by authors of a post-strucuturalist strand as Barthes (1991), Deleuze (1996; 2010), Foucault (1972; (1989) e Guattari (1992; (1996). Whit this corpus of research and authors, we intend to get a look no closed, but that allows many inputs and outputs in the text, as the emergency of new issues, to not use up the research. The literary work was also adapted to the audiovisual product format, changing the way to experience the state of the art of the initial product. It is a remarkable work that together with the book, is presented as fictional diary and comes to us through the aesthetics and the way to experience, it is in a book narrative or in the script of the movie, a single and differential time, especially at the present time, when the identity issues and way that bodies are consumed bodies and the subjects are manufacture is increasingly demonstrating fragmentary. This question takes us as authors to a search of a look to be polited whether through writing, or reading, or even the visual arts.