The inter-relations with visual tissue and The Sertões de Zé Celso
Keywords:
Visual Tissue, Interrelations, The Sertões, Zé Celso.Abstract
The proposal of this work is the Interrelation of the Visual Tissue with literature, digital media and the staging of Os Sertões, directed by José Celso Martinez Corrêa (Zé Celso) with actors of the group Uzyna Uzona at Oficina Theater. The interrelations analyzed here are based on the research and studies of authors such as Renato Cohen (2011), Katia Maciel (2009), Arlindo Machado (2007) and Lucia Santaella (2001). These interrelations had their starting point in the new dramatic spaces, arising from performance, which had its conquests in modernity, and were developed in the midst of relativism, a new virtual aesthetic, and operating in the transit of the arts, hypertext, communication, science, convergence and technology. In this way the whole tradition of telling stories has a prosperous path in the contemporary context.
Downloads
References
COHEN, Renato. Performance como linguagem. São Paulo: Editora Perspectiva, 2011.
ECO, Umberto. Obra Aberta. São Paulo: Editora Perspectiva, 2012.
FOLETTO, Leonardo. Efêmero Revisitado – conversas sobre teatro e cultura digital. São Paulo: FUNART, 2010.
FOUCAULT, Michel. Arqueologia do Saber. Rio de Janeiro: Editora Forense Universitária, 2012.
FORTIN, R. Compreender a complexidade: introdução ao método de Edgar Morin. Lisboa: Instituto Piaget, 2005.
LANDOW, George P. Hipertexto 3.0. Barcelona: Editora Paidós, 2008.
MACIEL, Katia. Transcinemas. Rio de Janeiro: Editora Contra Capa, 2009.
MACHADO, Arlindo. Arte e Mídia. Rio de Janeiro; Editora Jorge Zahar, 2007.
______. Pré-cinemas e pós-cinemas. Campinas: Papirus, 1997.
______. Regimes de Imersão e Modos de agenciamentos – in Transcinemas. Rio de Janeiro: Editora Contra Capa, 2009.
MCLUHAN, Marshall. Os Meios De comunicação como Extensões do Homem (UNDERSTANDING MEDIA). São Paulo; Editora Cultrix, 2007.
MORIN, Edgar. Introdução ao pensamento complexo. Porto Alegre: Editora Sulina, 2011.
NOJOSA, Urbano Nobre. Da Rigidez do Texto à Fluidez do Hipertexto – in Hipertexto, Hipermídia – as novas ferramentas da comunicação digital. São Paulo: Editora Contexto, 2010.
PARENTE, André. A forma cinema variações e rupturas - In Transcinemas. Rio de Janeiro: Editora Contra Capa, 2009.
SANTAELLA. Lúcia. Matrizes da linguagem pensamento. São Paulo: Iluminuras, 2001.
Wagner, Richard. Obra de Arte do Futuro. Portugal: Editora Antigona, 2003.
COHEN, R."Performance e Rede-Mediações na Era da Tecnocultura", 11/2002, Artigo em Hipertexto, SESC SP- EDIÇÃO ELETRÕNICA, pp. 1, pp.1-1, São Paulo, SP, BRASIL, 2002. Disponível em: http://www.sescsp.org.br/sesc/hotsites/constelacao/textorede.htm. Acesso em 23/ 3/ 2013.
CORREA, José Celso Marinez. Encenando Os Sertões - Entrevista com José Celso Martinez Correa. Sala Preta, Brasil, v. 2, p. 143-157, nov. 2002. ISSN 2238-3867. Disponível em: http://www.revistas.usp.br/salapreta/article/view/57089/60077. Acesso em: 14 july 2016. doi:http://dx.doi.org/10.11606/issn.2238-3867.v2i0p143-157.
SANTELLA, Lucia. A Ecologia Pluralista das Mídias Locativas. Revista FAMECOS, Porto Alegre, n. 37, dez. 2008. Disponível em: <http://revistaseletronicas.pucrs.br/ojs/index.php/revistafamecos/search/results>. Acesso em: 20 dez. 2012.
ASSOCIAÇÃO TEAT(R)O OFICINA UZYNA UZONA
RELEASE. Disponível em - http://www.teatroficina.com.br/plays/8 Acesso em 20/01/2014
Downloads
Published
How to Cite
Issue
Section
License
Creative Copyright Notice
Policy for Free Access Journals
Authors who publish in this journal agree to the following terms:
1. Authors keep the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License, which allows sharing the trial with acknowledgment of authorship and initial publication in this journal.
2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the work version, published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase both impact and citation of the published trial (See The Effect of Free Access).
Creative Commons License
This work is licensed under a Creative Commons Attribution–NonCommercial-shareaswell 4.0 International License, which allows you to share, copy, distribute, display, reproduce, completely or part of the work, since there is no commercial purpose, and authors and source are cited.