Mermaids, Mariners and writers of their own story: reflections upon O papel e o mar (2010) and Carolina Maria de Jesus
Keywords:
Carolina Maria de Jesus, O papel e o mar (2010), performance, partage du sensibleAbstract
In her journals which composed Quarto de despejo: diário de uma favelada (1960), Carolina Maria de Jesus had a hiatus between 1955 and 1958. The movie O papel e o mar (2010), by Luiz Antonio Pilar, brings to scene a fictional meeting between Carolina and the widely known João Candido Felisberto, the “black admiral” – who was the leader of the ”revolta da chibata” – on may, 1st 1958, when Carolina came back to her writing. The first lines of the short film let clear what was the business of each of its characters – who were not contemporary – hers was paper, his was the sea. So I intend, on this reflection, to think about how they performed their memory and work, based on Jacques Derrida (1988 e 1991) and Jeanne Marie Gagnebin (2006) in addition to how it reflects the distribution of the sensible, or in the French version “partage du sensible”, based on Jacques Ranciére (2009). Issues like authorization of voice are also approached.Downloads
References
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