Dalton Trevisan: Capitu without enigma
DOI:
https://doi.org/10.48075/rt.v14i2.24457Keywords:
Danton Trevisan, Capitu, Intertextuality, Contemporary narrative.Abstract
This article aims to discuss the dialogue that Dalton Trevisan creates with the character Capitu, by Machado de Assis, in two texts. The first one is “Capitu sem enigma”, published in Dinorá, 1994, and the second one is “Capitu sou eu”, published in a book that bears the title of the narrative, in 2003. Based on the theory of intertextuality, we aim to discuss how the 19th century referencial has repercussions in these texts by the Curitiba author and what possible meanings can yield to the contemporary reader bearing in mind that they update issues raised Machado more than a hundred years before their respective writing.
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References
BOURDIEU, Pierre. A dominação masculina. Trad. Maria Helena Küher. 4ª ed. Rio de Janeiro: Bertrand Brasil, 2005.
CALDWELL, H. O Otelo brasileiro de Machado de Assis. Trad. Fábio Fonseca de Melo. Cotia: Ateliê Editorial, 2002.
D'ANDREA, Moema Selma. Capitu sou eu ou é ela? Afinal, quem é Capitu?. Revista Graphos, v. 6, n. 1, 2004, p. 17-21.
MACHADO DE ASSIS, J. M. Machado de Assis. Dom Casmurro. Cotia: Ateliê, 2008.
RESENDE, Otto Lara. “Não traiam Machado”. In: SCHPREJER, A. (org.) Quem é Capitu? Rio de Janeiro: Nova Fronteira, 2008, p. 113-114.
SABINO, F. Amor de Capitu. São Paulo: Ática, 1999.
TREVISAN, Dalton. Dinorá. Rio de Janeiro: Record, 2004
TREVISAN, Dalton. Capitu sou eu. Rio de Janeiro: Record, 2004.
WALDMAN, Berta. O vampiro e o cafajeste: uma leitura da obra de Dalton Trevisan. 2 ed. São Paulo: Hucitec/Unicamp, 1989.
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