Podcast poetry: reading, performance and atmosphere in “Águas de Kalunga”, wrote by Conceição Evaristo and narrated by Elisa Lucinda
DOI:
https://doi.org/10.48075/rt.v14i2.24582Keywords:
Audio-poem, performance, podcast, body.Abstract
The intention is to show, from the audio-poem “Águas de Kalunga”, written by Conceição Evaristo and performed by the Brazilian actress, poet and journalist, Elisa Lucinda, how the poem engenders atmospheres, narrative performances and a poetics capable of awakening various experiments and stimuli in the reader. In this way, evidencing innumerable times, realities, intersubjective perspectives, and even crises, traumas, political-social, cultural and symbolic conflicts. For that, we will resort to theoretical contributions that concern the performance character that a literary text itself can express. We will also resort - in order to dialogue with the new and deconstructed theoretical methodologies - to perspectives that make use of a better articulation of the body, its becomings and intersubjectivities, likewise Jota Mombaça tenses his reflections on “anti-colonial justice”, the decolonial turns and the body as manifest.
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References
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EVARISTO, Conceição. Águas de Kalunga. Rio de Janeiro: Museu de Arte do Rio, 2019, podcast (15:30min.).
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MBEMBE, Achille. Necropolítica. São Paulo: N-1 Edições, 2018.
MENDES, Paulo Henrique Aguiar; SANTOS, Simone de Paula. Leitura, experienciação e performance. In: QUINTILIANO, Jane; ASSIS, Juliana; MORAES, Márcia. (Org.). Ensaios sobre leitura 3. v. 1. 1. ed. 2016. p. 249-274.
SODRÉ, Muniz. Pensar Nagô. Rio de Janeiro: Editora Vozes, 2017. p. 115-136.
MOMBAÇA, Jota. Rastros de uma submetodologia indisciplinada. Revista Concinnitas. Rio de Janeiro, v. 1, n. 28, p. 321-354, set. 2016.
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