NARRATIVE AND MEMORY IN LAVOURA ARCAICA

Authors

  • Deise Ellen Piatti

Keywords:

Narração, Memória estética, Lavoura Arcaica.

Abstract

We will show in this study an interpretation of narrative and memory in

the work Lavoura Arcaica (1975) of writer Raduan Nassar to investigate the treatment

forms present in the literary narrative translation to the cinema narrative LavouraArcaica

(2001), directed by Luiz Fernando Carvalho. The study has passed through the

artstic creations of a common theme, because we recognize at both the works, the

presence folmal and thematic motives which are peculiar to other art works: visuality.

The text organization revelates, above all, several discourses and the political aesthetic

project of the text writer and film director. So, while interpreting Lavoura Arcaica, we

shall focus the narratives considering them as a discourse made by several voices which

are crocks and shrapnels of many times and places and, they are fiction creation, a

language fact and a discourse produced and controlled by a producer source; whose

literary and languages don't exceed a dictatorial action in the narrative condution, but

they have mystery; and they depend not only on the reader attention to be built as a

meaning. They depend, above all, on its memory and soul. So, our intention is to show

that, while interpreting a text, if it is literary, filmed, pictoric, etc., it is necessary to seek

the soul of words and images as well as the forme as they are placed and to pay attetion

to what the aesthetic form adopted is opposed because an element is also constituted by

what it is not.

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Published

11-12-2007

How to Cite

PIATTI, D. E. NARRATIVE AND MEMORY IN LAVOURA ARCAICA. Travessias, Cascavel, v. 1, n. 1, p. e2720, 2007. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/2720. Acesso em: 26 may. 2024.

Issue

Section

ARTE E COMUNICAÇÃO