A becoming cinamtographic narrative
DOI:
https://doi.org/10.48075/rt.v15i2.27782Keywords:
Intermediality, Sérgio Sant’Anna, Time-Image.Abstract
The innovative character of Sérgio Sant'Anna's work has been highlighted by critics, among other factors, for its fluid boundaries between the literary and other languages. From this perspective, the present paper examines the intermediality with cinema of his O conto zero e outras histórias, 2016, taking into account intermedia concepts and general fundamentals regarding filmic language, as well as theoretical foundations about the contacts of this language with literature. It analyzes the stories separately and the book as a whole to point out relations of continuity and rupture, inherent to the components of the narrative. From these analyses, the paper postulates that the book simulates the dynamics of modern cinematographic narrative, as pondered by Gilles Deleuze in his works Movement-image and Time-image.
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