“POISONED PROLOGUES”: CINEMA AND THEATRE ON STAGE AT RIO DE JANEIRO’S CINELÂNDIA
Keywords:
Cinema, Teatro, Jornalismo.Abstract
In 1926, the new, luxurious movie theatres at Rio de Janeiro’s Cinelândia, owned
by Francisco Serrador, import a new attraction from United States: prologues performed on
stage, before film screenings. The film magazines Selecta and Cinearte fought against prologues,which represented a peculiar intersection between cinema and theatre, making use of elements
and strategies that will be found in film comedies and “chanchadas” produced from the 1930’s
on.
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