THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE

Authors

  • Milca Tscherne

Abstract

This paper analyzes the play Condenados à vida, by Portuguese playwright Luiz Francisco Rebello, looking to highlight two elements of composition: 1) the dramatic proposed existentialist theater of isolating characters in strange places and 2) the fantastic element. The unusual situation and imponderable presented in the prologue and epilogue produced dramatic disruptions in Condenados à vida who ordered the epic element which, although not required in the design of existentialist theater, Rebello introduced and presented him with characters since before there until the time of his death, a relaxation time that can only be combined with the presence of the suggested narrative feature, including the classification of the piece: dramatic sequence with a prologue, two sides and an epilogue.

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Published

27-10-2011

How to Cite

TSCHERNE, M. THE EXISTENTIALISM, THE FANTASTIC AND THE BREAKS SCENE IN MODERN DRAMA PORTUGUESE. Travessias, Cascavel, v. 5, n. 2, p. e4331, 2011. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/4331. Acesso em: 17 jul. 2024.

Issue

Vol. 5 No. 2 (2011)

Section

CULTURA

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