“I-JUCA PIRAMA”: THE DIORAMA-POEM OF GONÇALVES DIAS
Keywords:
Brasil, romantismo, discurso científico, antropologia.Abstract
In this essay we analyze Gonçalves Dias’s poem “I-Juca-Pirama” as an expression of the scientific discourse in vogue at the time it was written, in 1851. The poem privileges the image of the Brazilian Indian as a good-savage; however, its ethnographic contribution is also a topic that needs to be discussed. The details that the author provides and the historical notes he includes make the poem almost a diorama of the anthropophagic rituals practiced by many Brazilian indigenous tribes. In the poem “I-Juca-Pirama” there are two voices, a lyrical (or epical) voice and a scientific-anthropological voice, which is present on the notes. These voices do not challenge each other, but they are both very authoritative. The lyrical-epical voice is well-known as one of the greatest romantic voices of Brazilian poetry. The scientific-anthropological voice of the notes, on the other hand, is almost a historical document that validates the legend of the good-savage, which became one of the most important motes of the Brazilian romanticism. In other words, the voice of the notes attempts to bring the poem closer to reality, and thereby makes it a form of historical account.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Creative Copyright Notice
Policy for Free Access Journals
Authors who publish in this journal agree to the following terms:
1. Authors keep the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License, which allows sharing the trial with acknowledgment of authorship and initial publication in this journal.
2. Authors are authorized to take additional contracts separately, for non-exclusive distribution of the work version, published in this journal (eg publish in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increase both impact and citation of the published trial (See The Effect of Free Access).
Creative Commons License
This work is licensed under a Creative Commons Attribution–NonCommercial-shareaswell 4.0 International License, which allows you to share, copy, distribute, display, reproduce, completely or part of the work, since there is no commercial purpose, and authors and source are cited.