BODY IMAGE AND EFFECTIVENESS OF SYMBOLIC DIGITAL FICTIONALIZATION

Abstract

Argue in contemporary forms of sociability refer necessarily to concepts' amplification embodied in the prior expressions of personhood and presentified exchange of individuals, because Internet becomes a priority impulse on identity building and identification processes (of / in the other) senses and meanings of reality. In this sense, social networks, self-exposure and incessantly shared of intertext use, points to a new form of communication, which, in turn, acts directly on the reworking of social relations and individual self-image, compound and reconstituted in each new upload. Whether by the memetic perspective, or the approaches that consider this a new form of isolation, the fictional construction on this self-image is subject attests a digital autoscopy source of references and narratives that can be read in accordance with the connections made by the author . Thereat, considering to establish a dialogue between the digital reality, the classic Social anthropological theory, literature on the subject and fiction itself, it is proposed to take over a brief typology cartographic on the social network Facebook, trying to establish a analytic propositional that recognizes social networks as fictional sources, also the established networks in materiality of 'secular' contacts, from comparative with the construction performed by their own fictional characters in literary works and image, thus articulating the concept of virtue to these autobiographical sources.