SEMIOTIC ANALYSIS OF THE MOVIE AVATAR: AN ESSAY IN SOCIAL INTERACTION PERSPECTIVE

Abstract

ARTICLE IS A TEST TO HOLD AN OBJECTIVE ANALYSIS INTERACTIONIST SOCIAL FILM AVATAR, CONSIDERED AS A TOOL AND EDUCATIONAL SEMIOTIC. THE FILM IS A SYNCRETIC TEXT, THAT IS DIFFERENT STORES IN EXPRESSIONS OF LANGUAGES AS A VISUAL AND SONORA.TRATA UP OF A FILM THAT RESULTS FROM A CASE HISTORY-SOCIAL AND LANGUAGES AND EXISTENTIAL, CREATING A FINAL TEXT EFFECTS PRODUCER OF SENSE , AND AS SUBJETIVIZANTE REALISTIC. HOW TO CUT ANALYTICAL, IT WAS POINTED OUT SOCIOSUBJETIVAS UNDERSTANDING OF CONDITIONS OF PRODUCTION OF THE FILM, AND THE LEVEL OF EXPRESSION AND MECHANISMS MATERICO ENUNCIATIVE. OBSERVED A PROXIMITY ENUNCIATION WITH RECEIVER, AND AT THE SAME TIME, THE ABSENCE OF MARKS IN FINAL TEXT ENUNCIATOR, PRODUCING CONCOMITANTLY, A PROXIMITY TO THE RECEIVER AND A DEEP IMMERSION IN THE SUBJECT OF THIS MOVIE. AVATAR REVEALED UP AN OBJECT ANALYTICAL RICH BECAUSE ONE ALLOWED INTERTEXTUAL DIALOGUE POLYPHONIC, EXPLAINED THAT FIGHT BETWEEN THE MODERN MODEL INFLEXIBLE AND PREDATORY, THE NEW RELATIONAL ELOS AND ETHICAL FLUIDS AND MORE COMPLEX OF CONTEMPORARY. CAMERON ACCUSES AN INITIAL BANKRUPTCY OF SCIENTIFIC AND UTILITY MODEL AND AT THE SAME TIME, THE NEED TO FIND ANOTHER WAY MORE HUMAN SE RELATE TO THE WORLD, INCLUDING THE NATURE AND SOCIAL HABITS IN CULTURAL NETWORK