GOLDEN MOUTH:'M TALKING ABOUT ME

Abstract

This work aims to analyze the play “Golden Mouth”, written in 1959 by the Brazilian playwright Rodrigues, Nelson and its adaptation for the cinema, homonymous, direct by Santos, Nelson Pereira, launched in 1962. The theoretical approach which will serve as the basis for the above analysis will be the Anlysis of the Discourse of French oriented, as well as other theories that will help. Fruit of the basic research of bibliographical and interpretative, this paper aims to present reflections about subject positions, devoting attention to the characters from the materiality of theatrical text, noting whether these positions are displaced in the filmic materiality. It will be verified beyond this possibility of subject positions, the inclusion or withdrawals of dialogues, the senses preserved, removed or added by means of elements that compose the whole of film production such as music, scenery, costumes, constitution of the image by means of the movement of the câmera (first and second plans, focus, etc.). This reflection is done while considering the materiality of the film is the result of a collective productions, led by a director, with different responsible for photography, set design, editing and soundtrack, as well as intervention in the creation of characters by each actor. This form, the analysis results will be presented in a process of re-signification through which passes the discourse rodriguean to be taken to the cinema.