THE PROCESS OF CREATING MANOEL DE BARROS AND SOME OF INTERSECTIONS

Abstract

In this paper we seek approximations , dialogues and who knows frictions between the text of Manoel de Barros in a book of the series " encounters " ( Müller , 2010) and his speech in the documentary " Only ten percent is a lie " ( Cezar , 2008) , where he reveals a bit of the process of becoming a poet , and some of the theories that span the fields of art and psychology regarding the production of subjectivity . In this sense , to invite dialogue with the writing of the poet , the texts of Deleuze ( 1988 , 1999 ) , Bergson ( 2006 ) , Vygotsky ( 2001 ) , Guattari ( 1999 ) , Guattari and Rolnik ( 1986 ) , Dewey ( 1980) and Kastrup ( 2007) . Our intention is not to make a reading that says the photographer through the lens of one or more theories , but try a dialogue where we give voice to each of them in an attempt to understand the approaches and departures , the similarities and differences here that only dialogue can emerge when either one starts already with a privileged position , able only to overcoding when you want to talk and / or rubbing . The proposal is to hear the two voices and their nuances , while realizing that there are two voices .