LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO

Authors

  • Beatriz Helena Dal Molin
  • Leidiane Marques de Aguiar
  • Paulo Humberto Porto Borges

Abstract

The increasing technological advancement enabled a accelerated development in different fields of human life, as well as, interfered in the form how to use and make photography today. The photograph gradually left the family albums and has become an important composition in the art of communicating, given its ability to picture the reality moments. This article aims to observe that the many images that are placed in contact with us, need to be analyzed so that we can understand how these representations of reality, built by words and images, are being presented by certain social groups to others groups. Thus, another objective of this paper is to present a brief photography history while linguistic and social product, as well as analyze some photographs widely disseminated over the Internet during the rebellion occurred at the Penitenciária Estadual de Cascavel/ PR, watching the perspective of the looking that the society has of prison and prisoners. Methodologically, the research is a qualitative research, of bibliographic type, that brings authors as Corrêa (2013), Freund (2011), Morin(2011) Borges (2010/ 2003), Canabarro (2005), Barthes(1989), among others.

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Published

14-08-2015

How to Cite

DAL MOLIN, B. H.; MARQUES DE AGUIAR, L.; PORTO BORGES, P. H. LENTES, REGISTROS, SIGNOS SOCIAIS: A VISÃO DE PRISÃO E DE DETENTOS, CRISTALIZADA A PARTIR DE IMAGENS DA REBELIÃO. Travessias, Cascavel, v. 9, n. 1, p. e11884, 2015. Disponível em: https://e-revista.unioeste.br/index.php/travessias/article/view/11884. Acesso em: 3 jul. 2024.

Issue

Vol. 9 No. 1 (2015)

Section

ARTE E COMUNICAÇÃO

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