The Feminine Denominative Dynamics in Literature: An Onomastic Analysis
DOI:
https://doi.org/10.48075/odal.v6i1.34594Keywords:
Proper nouns, Yasmina Khadra, What are the monkeys waiting for, Literary onomastics, Feminine proper nounsAbstract
This article is dedicated to the study of proper nouns that carry violence within literary discourse against the backdrop of Yasmina Khadra's novel What Are the Monkeys Waiting For. As soon as we consider that these onomastic units are bearers of multiple values and meanings, we put Michelle Lecolle in the foreground, on a theoretical scale; Marie-Anne Paveau and Sandrine Reboul-Touré (2004) through their construction in literary discourse, Vincent Jouve (2007), Roland Barthes (1974), Genette, Eugène Nicole (1983) and their transparency, J. L. Vaxelaire (2005). The onomastic approach that we have chosen, then, through a studied methodological framework, consists in specifying that proper nouns actively participate in the construction of meaning and, by extension, in the establishment of a discourse marked by denunciation and insult
This reflection is part of the field of literary onomastics, a discipline that studies the meaning and implications of proper names in texts literary. Indeed, far from being trivial, they carry meaning and participate fully in the narrative and ideological construction of the work. In the case of What Are the Monkeys Waiting for, their choice is not a matter of chance but responds to a logic that amplifies the author's purpose, in particular by highlighting the social tensions, inequalities and power relations that run through contemporary Algerian society. Thus, we wonder how the feminine proper nouns “Nedjma, Nora Bilal, Sonia, Basma...” beyond their referential function, are shaped and transformed under the effect of discourse, contributing to the dynamics of violence in the narrative. The aim is to demonstrate that the study of proper names in literary discourse is not limited to a lexical analysis but opens the way to a deeper understanding of the mechanisms of the text, by revealing the discursive strategies implemented by the author. As you explore the manière dont ces désignations façonnent la violence narrative, ce travail entend contribuer à une meilleure appréhension du rôle fondamental de l’onomastique dans la littérature et de son impact sur la réception du texte.
References
Ballard, Michel, (1993). La traduction à l’Université. Lille: Collection UL3
David Lodge, (1996). L’art de la fiction, éd. Rivages, (chapitre 8 : Les noms)
Jouve. V, (2007). « Poétique du roman. » éd. Armand Colin ». (Le langage. 1973) « Les encyclopédies du savoir moderne ». Sous la direction de Bernard Potier.
Leroy S., (2004), De l’identification à la catégorisation. L’Antonomase du nom propre en français, Louvain – Paris - Dudley MA : Peeters.
Yasmina. K. (2014). Qu’Attendent les singes. Alger : Casbah
Vaxelaire J.-L. (2005), Les noms propres – Une analyse lexicologique et historique. Paris : Honoré. Champion.
Barthes, R. (1975). Noms de personne (dans 20 mots-clefs… interview Magazine Littéraire, février) ; repris dans les Œuvres Complètes t. III
Hamon. P. (1977) « Pour un statut sémiologique du personnage », in Poétique du récit, Paris : Seuil.
Michelle L, Marie-A, P et Sandrine R-T. « Les sens des noms propres en discours », Les Carnets du Cediscor [En ligne], 11 | 2009, mis en ligne le 12 janvier 2010, consulté le 01 mars 2013. URL : http://cediscor.revues.org/736
Sites Web
http://www.lematindz.net/news/14139-quattendent-les-singes-de-yasmina-khadra.html. Consulté le10/04/2007 à 20 H30.
http://www.france24.com/fr/20131104-algerie-yasmina-khadra-mare-piranha-election-presidentielle/consulté le 09/03/2017 à10H
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Leila Belkaim

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Creative Commons Copyright Notice
Open Access Journals Policy
Authors who publish in this journal agree to the following terms:
1. Authors retain the copyright and grant the journal the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution License that allows the sharing of the work with recognition of authorship and initial publication in this journal.
2. Mandatory authorities to assume commitments, for non-exclusive distribution of the version of the work published in this journal (eg, publish in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
3. Authors are allowed and encouraged to publish and distribute their work online (eg in institutional repositories or on the personal page) at any point before or during the editorial process, as this can generate productive changes as well as increase impact and citation of the published work (See The Effect of Open Access).
Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, which allows sharing, copying, distributing, displaying, reproducing, a whole or parts as long as it has no commercial purpose and is cited by authors and a source.