Black motherhood in “ana davenga” and “maria”, short stories by conceição evaristo

Authors

DOI:

https://doi.org/10.48075/ri.v24i2.28872

Keywords:

Conceição Evaristo – “Ana Davenga” and “Maria”, Feminist literary criticism, Afro-Brazilian literature, Black motherhood

Abstract

This research study analyzes the short stories “Ana Davenga” and “Maria” from the black motherhood perspective. It considers that Conceição Evarito’s writing, in a gynocentric perspective, adopts “a double-voiced discourse” as proposed by Showalter, building the narrative over the perspective of the black women – a silenced speech – denouncing gender, race and class oppression and supporting the valorization of black women inside and outside the literature realm. Exploring the complexity of black motherhood, the study draws from afro-Brazilian literature, taking the argument from authors such as Eduardo de Assis Duarte, Miriam C. dos Santos and Conceição Evaristo, from black feminism and decolonial thoughts evidenced by Patrícia Hill Collins, Lélia Gonzalez and Grada Kilomba and from feminist literary critics as elaborated by Rita Terezinha Schmidt and Elaine Showalter.

Author Biographies

Kamillan Benevenuto de Souza, Universidade federal do Espírito Santo/ mestranda

Mestranda em Letras pela Universidade Federal do Espírito Santo. Graduada em Letras Português pelo Instituto Federal do Espírito Santo (2017).

Maria Mirtis Caser, Universidade Federal do Espírito Santo

Professora aposentada da Universidade Federal do Espírito Santo. Atua como professora voluntária no Programa de Pós-Graduação da UFES.

Published

30-06-2022

How to Cite

BENEVENUTO DE SOUZA, K.; CASER, M. M. Black motherhood in “ana davenga” and “maria”, short stories by conceição evaristo. Ideação, [S. l.], v. 24, n. 2, p. 210–227, 2022. DOI: 10.48075/ri.v24i2.28872. Disponível em: https://e-revista.unioeste.br/index.php/ideacao/article/view/28872. Acesso em: 24 may. 2025.