Vol. 16 No. 3 (2022)

					View Vol. 16 No. 3 (2022)

Imagem da Capa: Obra Pedra, Céu, Movimento (2020), da série Retorno À Terra, de Gustavo Caboco

Published: 19-12-2022

PRESENTATION

  • Apresentação do v. 16, n. 3 da Travessias

    Alai Garcia Diniz, Ana Carolina Teixeira Pinto, Marcos Roberto da Silva
    e30306
    https://doi.org/10.48075/rt.v16i3.30306

DT - ARTES, PERFORMANCES E INTERARTES NA CENA DO CONTEMPORÂNEO LATINO-AMERICANO

  • “Just one Latin American guy supported by over 50,000 dudes” fictions, voices and lessons in Racionais MC’s

    Mateus Fernando Oliveira
    e30004
    https://doi.org/10.48075/rt.v16i3.30004
  • Anthropophagic Performance Dramaturgy Macunaíma – Makunaimã

    Ana Carolina Teixeira Pinto, Alai Garcia Diniz
    e30086
    https://doi.org/10.48075/rt.v16i3.30086
  • Music and aesthetics and the teaching of art

    Rosangela Trabuco Malvestio da Silva
    e29509
    https://doi.org/10.48075/rt.v16i3.29509
  • What body is this? The construction of female bodies in Sheyla Smanioto’s narrative

    Stefani Andersson Klumb, Antonio Rediver Guizzo
    e29924
    https://doi.org/10.48075/rt.v16i3.29924
  • Types of translation in the video Mulher – poema by the group La Broma

    Luizete Guimarães Barros, Paula Balbis Garcia
    e30080
    https://doi.org/10.48075/rt.v16i3.30080
  • Poetics on stage and memorial weavings in Quizá (2015), a collective creation by Roxana Ávila, Magdalena Morales y Vania Vargas

    Lilibeth Janneth Zambrano Contreras
    e30166
    https://doi.org/10.48075/rt.v16i3.30166
  • Performance in music and beyond music an analysis of Teto Preto`s song Pedra Preta

    Juliana Araújo Gomes, William Teixeira
    e30058
    https://doi.org/10.48075/rt.v16i3.30058
  • Performatic production a reflection on the expressive use of the body in the “Piada do Touro” in sign language

    Arlene Batista da Silva, Amanda Caroline Furtado Freitas
    e30005
    https://doi.org/10.48075/rt.v16i3.30005
  • Lavoura Arcaica tragic foreshadowing in the novel and the movie

    Lenine Ribas Maia, Ramiro Giroldo
    e29772
    https://doi.org/10.48075/rt.v16i3.29772
  • Performative drawing tracing paths for a Decolonial Aesthetic Education

    Marília Claudia Favreto Sinãni, Mayara Cristina dos Santos Vieira, Aline Accorssi
    e30043
    https://doi.org/10.48075/rt.v16i3.30043
  • Literature and theater culture, art and accessibility

    Carmen Elisabete de Oliveira, Lourdes Kaminski Alves
    e30084
    https://doi.org/10.48075/rt.v16i3.30084
  • Virtual theater in pandemic times a look over the future of the spectator

    Pedro Henrique Dettoni da Silva, Ivan Delmanto Franklin de Matos
    e30085
    https://doi.org/10.48075/rt.v16i3.30085

LINGUAGEM

  • Between saying and thinking an analysis of small children’s speech in a school environment

    Carolina Taís Werlang, Kári Lúcia Forneck
    e28963
    https://doi.org/10.48075/rt.v16i3.28963
  • Blended learning in language teaching articles review about the theme

    Viviane Riedner, Greice Castela Torrentes
    e29040
    https://doi.org/10.48075/rt.v16i3.29040
  • Bodies that tell themselves the homeless woman

    Francielly Thais Hirata, Luciane Thomé Schröder
    e29276
    https://doi.org/10.48075/rt.v16i3.29276
  • The tacit intentionalities of compromising speech acts in utterances from the series La casa de las flores

    Pedro Adrião da Silva Júnior, Joilton Garcia do Amaral
    e29498
    https://doi.org/10.48075/rt.v16i3.29498
  • The production of meaning about the textbook and the teaching of Portuguese language a discourse analysis of national scientific productions

    Jakelyne Santos Apolônio, José Cezinaldo Rocha Bessa
    e29879
    https://doi.org/10.48075/rt.v16i3.29879

EDUCAÇÃO

ESCRITA LITERÁRIA AUTORAL

  • Three poems from Detached verses series

    Cesar Augusto de Oliveira Casella
    e29466
    https://doi.org/10.48075/rt.v16i3.29466

ENSAIOS E TEMAS INTERDISCIPLINARES

  • Álvaro de Campos and his futuristic imaginary mythology of the consumer society

    Karina Fernanda Gonçalves, Isabel Maria de Barros Dias
    e29627
    https://doi.org/10.48075/rt.v16i3.29627